The AI filmmaking programme for creators, filmmakers, and videographers who are done watching tutorials and ready to produce cinematic content that actually gets paid. The exact tools, production pipelines, and workflows a working AI director uses every day — taught live on Skool.
100% free · No credit card · Spots are limited
You've got the tools. You've watched the tutorials. So why doesn't your work look like that?
Typing prompts and hoping for the best. Getting inconsistent results you can't replicate. Working harder than you need to for output that still looks generated.
By the time a tutorial is published, edited, and uploaded, the tool has already shipped a major update. You're always learning yesterday's workflow.
You know one tool. Then what? How does it connect to the grade, the edit, the sound design? Nobody teaches the end-to-end workflow — they just show you one feature.
Same flat lighting. Same dreamy inconsistency. No real visual identity. Nothing that makes a viewer stop and think "who made this?" because it looks like the same output everyone's producing.
Kling, Runway, Nano Banana, Seedance, Higgsfield — new tools every week. No framework for deciding what to actually use on a real job with a real deadline.
You can see the difference between AI video and AI filmmaking. You just don't know what's on the other side of that gap, or how to get there systematically.
The programme that closes that gap
Free to join · Be first to know when we go live
Not theory. Not a tool overview. The actual production system used on real commissioned work — taught step by step, updated as the landscape evolves.
Why most AI content looks like AI content — and the creative thinking shift that separates a prompt from a shot. Direction before generation.
AI tools and platforms— a no-BS breakdown of what each tool actually does well, and which jobs they're wrong for.
The locked-reference workflow that keeps your characters visually consistent across every shot — no more faces changing between frames.
How to shoot, crop, and frame for 2.39:1 anamorphic — the exact widescreen cinema look that makes AI-generated content look directed.
DaVinci Resolve techniques built specifically for AI video — Kodak Vision3 LUT application, bleach bypass, and how to match grades across wildly inconsistent AI-generated footage.
Treatment → keyframes → motion → edit → grade → sound → delivery. The complete end-to-end workflow from concept to client-ready file.
Syncing visuals to a track, world-building for artists, narrative arc across a 3-minute runtime — the full music video workflow start to finish.
Producing premium brand films for clients — brief, creative treatment, production, delivery, and how to price and position the work.
A framework for evaluating new tools as they launch, so you're never behind again — the filter that separates real advancement from hype.
Creative Director · AI Filmmaker · The Content Producer
I'm Andrew Akinyede — known as The Content Producer. A multidisciplinary creative with almost two decades of experience across visual design, marketing, and content production.
Now operating at the frontier of AI filmmaking — working with founders, brands, and artists to build cinematic content with a genuine point of view.
I take on commissions for music videos and brand films, hold a Dreamina Creator Partner Programme partnership. An Instagram collab with former bodybuilder and nutrition influencer Eddie Abbew — a McDonald's parody — hit over half a million views.
Everything in this programme comes directly from live, paid client work. Not a slide deck. Not theory. The tools, pipelines, and workflows that are actually working today.
Early waitlist members get priority access and launch pricing
Free forever · No obligation · Just your name and email
Who want to produce cinema-quality work without a crew, a location budget, or a six-week production timeline.
Who want to add AI production to their service offering and move up-market from standard video work.
Who are tired of looking like everyone else and want a real visual identity and a production system behind their output.
Who want to produce high-concept visuals for artists on tight budgets without compromising on cinematic quality.
Who want to bring premium video content in-house — and stop paying agencies £20K for work that could be produced in a week.
Who wants to learn from someone actually using these tools on real commissions — not someone who learned from other tutorials.